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O somma luce

7.4

类型：恐怖地区：中国大陆年份：2019 语言：中字

主演：/Giorgio Passerone/

导演：陈曾宁,Marco Pérez,亚历山大·奈特

上次更新：2025-02-08 05:05:52

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剧情介绍

《O somma luce》影片介绍:转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from H?lderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich... 《O somma luce》影片介绍:转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from H?lderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich... 详情

影片评论

酱油XX:刚刚

当约翰终于确信这个人正是他那年轻的父亲后，他意识到他现在可以改变一切。
纵横强者:分钟前

不过APP里面的基本上都是原声，也就是说没有国语版，但是有中文字幕。
雏和:9分钟前

美国芝加哥影评人协会奖(ChicaFilm Critics Circle Awards) 美国三大影评人奖之一。
情面:4分钟前

正当凯勒·安德鲁要杀害麦克斯和伊丽莎白的时候，埃莉诺还是利用镜子将安德鲁拖进了镜中并将其杀害。
唐墨舒:6分钟前

采访前，她听说其他媒体记者问薛景求情感问题，薛很不开心，采访效果不好。
若花辞树:8小时前

独领风潮又名: 情舞师生英文名：Take tLead经过多年的磨砺，皮埃尔·杜兰尼(安东尼奥·班德拉斯饰)已经成为纽约城内小有名气的舞蹈家。
云窗几许:2小时前

虽然二人又枪杀一名警察夺取枪支，并且劫持了中国留学生孟丹和他的SUV车，妄图前往纽约继续进行恐怖袭击。
仙途.cs:小时前

该片翻拍自中国内地电影，讲述了一位富豪的未婚妻被杀害，富豪的女儿被怀疑是嫌疑人，由此展开的一系列的故事。
少年骑马踏青路:4小时前

不会被发现，我们都这么干，没事儿。美国人都不知道啥是迅雷。别告诉别人就行，你说了一准儿有人告密。
花心我也只爱沵。:1天前

他们作案时头戴前几任总统的面具，手段高超，行踪诡秘，抢劫连连得手。