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荣耀六十年1938

7.9

类型：战争地区：中国大陆年份：2015 语言：中字

主演：Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla

导演：唐述权,裴諴,松山研一

上次更新：2024-12-28 19:10:35

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剧情介绍

《荣耀六十年1938》影片介绍:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor... 《荣耀六十年1938》影片介绍:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor... 详情

影片评论

追风逐云.CS:刚刚

但人们似乎并不在意这几毛钱，根本没有想过，要自己从家里拿布袋，篮子，我想，这种人也包括我。
云一一:2分钟前

美国电影在进行“英雄形象”塑造时，往往将“不合理”寓于“合情”中，让观众更加深刻地反思战争的残酷，试图展示美军在残酷的战争面前保持灵魂清醒和人性光辉的形象。
小宝吃小丫:6分钟前

翁发言经常搔首弄姿，吸引著乡里每一个男人，终日让他们神魂颠倒，而屡遭受其他女人们的闲语嫉妒，和恶行排斥攻讦。
不会弹琴的猫:7分钟前

非常有创意的电影，整个列车就是一个社会的缩影，车头上流社会的雍华与车位底层社会的糜烂形成了鲜明的对比，人性的自私也表现得淋漓尽致，很富有内涵很有寓意的电影，故事情节也十分精彩。
地狱模式:分钟前

原本对此漠不关心的住客们，为了能从死者父亲那里获得一点好处，而各执一词，对案件做出各种各样的假设，其实多数是不着边际的谎话。
沉萃:8小时前

记得播完此剧后，某报还开展了一场“谁是流氓大亨”的讨论，因为在人们观念中正面人物怎么会有流氓的手法呢?大家不能认同方法是为目的服务的。
一粒金丹药:9小时前

他们从印象主义的绘画获得启发_企图用画面来表现直接的感性印象。
涟漪潺流:5小时前

这部在第69届奥斯卡奖评选中赢得了包括最佳影片、最佳导演、最佳女配角等九项大奖的影片，没有宏大的战争场面，也不是以战争中英勇悲壮的前线战士为主角，却讲述了毫不逊色的战争与爱情。
明天是个晴天:5小时前

04 SCHUBERT?TrMi bémol majeur opus 100 D929 / Andante Con Moto TrFontenay
枫尘于往逝:1天前

除了将影城打造成文化宣导阵地外，还充分利用各种资源，走出影城、走进社区，切实有效地践行文化下基层，把电影文化送到广大老百姓的身边。