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O somma luce

7.3

类型：纪录地区：中国台湾年份：2015 语言：中字

主演：/Giorgio Passerone/

导演：马奎斯·罗德,韦梓彤,白秀敏

上次更新：2024-12-28 05:58:01

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剧情介绍

《O somma luce》影片介绍:转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from H?lderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich... 《O somma luce》影片介绍:转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from H?lderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich... 详情

影片评论

天堂之手:刚刚

曾为奉献过经典乐章的配乐大师莫里斯？雅尔谱写的配乐充分显示出他出色的创作才华。
大海红:8分钟前

慧仁用纯纯的爱温柔地抚慰着俊英，然而这一切却遭到同龄朋友们的嫉恨。
君自歌:6分钟前

允才很快就拿到了第一笔钱，随后又跟着做了几单，用他赚到的钱付了妈妈的医药费。
九雾:6分钟前

㈣有一真人与卡通人物共同出演的美国电影，男主角是一水手，卡通人物是JERRY鼠，谁知道这电影的名字啊
淡淡的幽伤:5分钟前

即便在这般残忍的江轮里，饶晓志也给认真生活的平凡人一朵柔情似水的花，它用青少年的激情，父亲和女儿的学会放下，“中国悍匪”的感情，让一切越来越烂漫和蔼，让观众能够笑中有泪。
嬴宗离歌:5小时前

《终结者：创世纪》是8月23日在中国上映，早闹影片讲述了未来战争如火如荼，凯尔发现眼前的世界与预计中完全不同，一场关乎人类未来的“人机”大战正式上演。
无名老妖:7小时前

在对其进行接触实验时，“光之巨人”自毁，从而发生了“第二次冲击”，进而导致世界大战。
诸葛布衣:8小时前

尼克的表现真是太棒了！其实原名“Tothers”更能表达影片的内容。
姓墨名离字流夏:2小时前

山姆是一个生活并不如意的高中生，学校里没有人相信他讲述的关于这副眼镜的历史，失望之余，山姆把眼镜放到网上拍卖，然而从未引起买家的兴趣。
周公反哺:1天前

但是影片的高超之处在于创造了一种主体性的悖论，从而创造出现实中的神话。